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44, 2.

, - " ", 2015

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1-2

374-377

. [  ѳ ] {The innovative staging techniques in the play by Gao Xingjian Alarm Signal} 3-10

. . [ . ] {Ukrainian small prose and critical thought in the beginning of 20th century in scientific discourse of Yuriy Mezhenko} 10-19

- . . [ ³] {The cultural code of Daria Vikonskas short fiction} 19-27

. . [- ] {The story Knulp by Hermann Hesse in terms of the motive and narrative analysis} 27-37

̳ . . [ ] {Religious Scepticism of David Lodge} 37-53

[ ] {Influence of literature stream of consciousness creativity Simin Daneshvar} 53-60

. . [̳ . ] 60-67

. [ ] {Decoding "Blue Novel" by Gnat Mykhailychenko through Depersonalization} 67-73

. . [ ] {Anacreontic motifs in contemporary Ukrainian poetry} 74-83

. . [ ˳ ] {Intertextual play in the almanac Literary Fair} 84-92

. . [Landscape-novels ] {Landscape-novels of Maik Johansen and Serhiy Zhadan} 92-99

. . [糿 ] {Inclusion of traditional Ukrainian melodiousness in Oles Gonchars literary works} 99-105

. . [̳ ] 105-116

. . [ : ] {Rostislav Dotsenko: Approaching Faulkner} 116-124

. . [ : ] {The hero with a pen in the hand: the incident of literary theory} 125-136

. . [ versus : ] {Postmodernism versus existentialism: novel by Ludvik Vaculik Guinea pigs} 137-145

. . [ . ( )] {Linguistic aspects to the psychological portrait of Mykhailo Kotsyubynsky (on the material of the short story "Dream")} 146-153

. . [ 糿 ] {Functioning of culturally marked words in Turkish poetry of XX-th century} 153-160

. . [ ] {A thematic and genre variety of work is for the children of Yaroslav Stelmakh} 160-166

. . [³ ] {Sivestr Jarychevskys Vienner text} 166-175

. . [ ( )] {The world of nature in the artistic interpretation of Dnipova Chaika (based on the prose poetry of the cycle Morski maliunky)} 175-187

. . [ XIX ] {The Role of the Ukrainian Childrens Literature of the Second Half of the 19th Century In National Identity Formation} 187-194

. . [ ] 195-203

. . [ : ] {Archetypes of Good and Bad Mothers in Ukrainian and Norwegian Fairy Tales: comparative aspect} 204-210

. . [ ] {Game functions of mystification Porphyrii Horotak by Leonid Mosendz and Yurii Klen} 210-215

ѳ . . [ ] {Volodymyr Yurynets culturology in the clarification of the modern humanities} 215-221

. [˳ ] {Lyric mask of Don Zhuan in the Mihail Semenkos poetry} 222-228

. . [ ] {Canonical strophic form in early poetic work Maxim Rylsky} 229-237

. . [ i XX-XXI : i ] 237-246

. . [ ] {Ukrainian baroque visual poetry in terms of the reader-response theory} 246-252

. . [ ] {The specificity of representation of gender stereotypes in Hanna Barvinoks prose} 252-259

. . [ ( - ղ )] {Writers bilingualism as a scientific issue (Ukrainian literary critical doctrine)} 259-270

. . [ ] {Time and space in poetic art of Bai Hua annotation} 271-276

. . [ , ] {Word as a Factor or Postcolonial Glitches of Calque Consciousness} 276-284

. . [ ] {Ukrainian reception of the ghazals written by the Turkish Diwan poet Sheyh Galib} 284-293

. . [ ] {Portrait of the narrator in the works of Hanna Barvinok} 293-300

. . [ ( 1724 . Via [])] {Scheme of description of the ancient Ukrainian poetics (based on example of the Kiev cource of the year 1724 Via [Path])} 300-310

. . [ ] {Ukrainian problems in the research works by the Polish literary critic Ludwik Janowski} 310-318

. . [ : , ] {The Ukrainian folklore described by Seweryna Szablewska (Poland reseearcher): metodology, edition} 318-325

. . [ ( )] {Ways of theatricalization of the literature text (based on the Spanish postmodernist fiction)} 326-333

. . [ ] {The evolution of social functions studying of humour in comic theory} 334-340

. . [ ] 341-347

. [ ] {Renaissance poet Yuriy Drohobych and romantic Taras Shevchenko} 347-352

. . [ - ] {Ivan Franko and Eliza Orzeszkowa in the context of the Polish-Ukrainian cultural relations} 352-362

. . [˳ ] {The Old Rus' Kievan Literature as the source of poetic vision of Mykola Zerov} 362-373