45.

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.......... 1-2

.......... 357-359

. ???????????????????????? {COMPARISON OF GENDER DIFFERENCES OF LANGUAGE IN MODERN JAPANESE AND UKRAINIAN} 3-7

. {SLANG AS A COMPONENT OF CONVERSATIONAL SPEECH OF YOUTH OF JAPAN} 7-12

. Ҳ ί ί ί ̲ò {THE TERMINOLOGY CORPUS OF THE MODERN JAPANESE TOURISM ADVERTISING} 12-18

. Ͳ ʲ ˲в {COMMUNICATIVE SILENCE IN JAPANESE LANGUAGE CULTURE} 18-23

. ̻ {METAPHORS OF SHAME IN MODERN JAPANESE LANGUAGE} 23-28

. ( ) 29-40

., Գ . - Բֲ ί {RESEARCH OF THE FEATURES OF FUNCTIONING AND BASIC TOOLS OF TRANSLATION OF THE CULTURALLY MARKED VOCABULARY OF THE JAPANESE FOLK TALES} 41-49

. ˲ ů ʲ ˲²ֲ {RESEARCH OF ONOMATOPOEIA IN THE JAPANESE LINGUISTICS} 49-60

. Ҳ ˲, ò Ҳ {ANALYSIS OF ENGLISH, UKRAINIAN AND JAPANESE PHRASEOLOGICAL UNITS DENOTING HUMAN FEELINGS} 60-65

. Ͳ ò Ҳ {LINGUISTIC STRATEGY OF JAPANESE ADVERTISEMENT} 66-69

. Ͳ ֲ Ͳ Ҳ вί ˲ò ( 곻) {LEXICAL FEATURES OF MAIN CANONICAL TEXT OF TENRI-KYO RELIGION OFUDESAKI} 70-78

. ͪ IJ {SPEECH ETIQUETTE OF JAPANESE BUSINESS MEETINGS} 78-85

. Ͳֲ : {ADVERTISING COMMUNICATION AND TIME: JAPANESE VIEW} 85-89

. ˲Բ ˲ֲ ί ² ֲ {THE ROLE OF JAPANESE WRITING SYSTEM IN CONCEPTUALIZING OF THE LANGUAGE WORLDVIEW OF THE JAPANESE} 90-95

. A CONFIGURATIVE MODEL OF LINGUISTIC COMMUNICATION: STRUCTURE OF THE SPEAKER AND OF THE LISTENER 95-102

. ²ί Ͳ̲ί ˲ Ͳ VIII-XVI . Ͳֲ {FORMATION OF THE MALE ANTHROPONIMIC MODEL IN JAPAN DURING VIII-XVI CENTURIES AND ITS STRUCTURAL ORGANIZATION} 102-106

. Ҳ ֲ : {THE RESEARCH OF USING JAPANESE IN SOCIAL NETWORKING SERVICES} 107-111

. ²ί ( в˲ IJ .. Ϊ Ȼ ) {TRANSLATIO PROBLEMS OF CULTURE-SPECIFIC VOCABULARY (BASED ON THE INTERPRETATIONS NOVEL F.M. DOSTOEVSKY "THE BROTHERS KARAMAZOV" IN JAPANESE)} 112-116

. {PREFIXATION AS ONE OF THE WAYS TO CREATE LEGAL TERMS IN JAPANESE LANGUAGE AND THEIR TRANSLATIONS IN RUSSIAN} 117-121

. {JAPANESE LINGUISTIC PICTURE OF THE WORLD IN THE PERSPECTIVE BEFORE TRANSLATION} 121-125

س . ????????????????? 125-131

. Ӕ ʲ ˲ Ҳ ʲ ²Ͳ ̲ {METHODS OF STUDYING THE LESSONIN JAPANESE SCHOOL AND POSSIBILITIES TO USE IT IN UKRAINIAN EDUCATIONAL SYSTEM} 132-137243-251

. Ͳֲ Ͳ Բò IJò -ί {ISSUES OF ORGANIZATION OF TEACHING THE JAPANESE DIALOGICAL SPEECH TO FUTURE PHILOLOGISTS UNDER THE CONDITIONS OF IMPLEMENTING THE CREDIT BASED MODULAR LEARNING} 137-142

. Cֲί -̲ {ISSUES OF TEACHING SPECIAL VOCABULORY TO THE STUDENTS STUDIING INTERNATIONAL RELATIONS} 142-147

. ̲ί Ͳֲ Ͳ ί {ISSUES OF INTERCULTURAL COMMUNICATION PROBLEMS WHILE TEACHING JAPANESE} 147-153

̳ . ???????????????:???????????????????????????????????????????????????????? 153-159

., . ²Ͳ ί {VISUAL NOVELS AS ONE OF THE MEANS OF LEARNING JAPANESE} 159-164

???????????????????????????????????????????????????? 164-169

. в ί {THE PROBLEM OF TEACHING LEXICAL MATERIAL OF JAPANESE LANGUAGE} 170-174

. ˲ ί Ѳ ϲ Ҳ {REFLEXIVE ANALYSIS OF THE PROCESS OF TEACHING JAPANESE AS A MEANS OF INCREASING ITS EFFICIENCY} 175-180

. Ͳ ί {METHODOLOGICAL FUNDAMENTALS OF CREATING AN ELECTRONIC DICTIONARY OF JAPANESE} 180-186

. ޻ 186-191

ճ . ?????????????????? 192-195

. ֲ˲² ˲ в {SOCIOLINGUISTIC ASPECT OF ANALYZING THE WORKS OF DAZAI OSAMU} 196-200

. - ײ ӥ ̲ײ ( IJ Dz ² ) {INFLUENCE OF THE CHINESE POET BAI JUYI ON THE CREATIVE ACTIVITY SUGAWARA MICHIDZANE (EXAMPLIFIED BY THE POETRY OF NEW YUEFU GENRE)} 201-205

. ϲ ֲ ( IJ Ͳʲ 'ײ в Ͳû) {FAMILY AS THE MIRROR OF SOCIAL TRANSFORMATIONS (EXEMPLIFIED BY THE NOVEL OF JUNICHIRO TANIZAKI A LIGHT SNOWFALL)} 206-213

. Dz ò IJ-ӯ Ғ {JAPANESE SUBJECT IN PROSE AND DRAMATIC WORKS OF JUDITH LOUISE GAUTIER} 213-218

. Ҳ Dz Ͳ {SPECIAL FEATURES OF THE DEVELOPMENT OF THE FUTURIST POETRY IN JAPAN} 219-223

. Ҳ ò ů в ( IJ òʲ ز ز) {SPECIAL FEATURES OF THE IMAGINATIVE EXPRESSION OF THE IDEA OF HERO IN THE JAPANESE FAIRY-TALES (ILUSTRATED BY TALES MOUNTAIN PEARS AND ISSUMBOSHI)} 223-226

. ' ײ {SUICIDE THEME IN PLAYS ABOUT EVERYDAY LIFE OF CHIKAMATSU MONZAEMON} 227-232

. IJ ˲Ͳ в ز Ȼ {DIALOGUE OF CULTURES IN THE POLYPHONIC SPACE OF THE NOVEL OF KAZUO ISHIGURO WHEN WE WERE ORPHANS} 232-237

. ί Dz ˲ ˲ ʲ Ͳ Dz Ѳ {INFLUENCE OF CHINESE POETRY OF TANG PERIOD ON THE FORMATION OF THE STYLISTIC DEVICE PARALLELISM IN JAPANESE CHINESE-LANGUAGE POETRY KANXI} 237-242

. ˲- IJͲ в Υ {ACTIVITY OF MORI OGAI IN FIELD OF LITERATURE AND LITERARY CRITICISM} 242-248

. ʲ ʲ Ͳ ˲ֲ . . ( IJ Ҳ ) {MOTIFS AND IMAGES OF CHINESE AND JAPANESE LANDSCAPE VERSES OF THE BEGINNING OF XX CENTURY (EXEMPLIFIED BY THE WORKS OF LIU DABAI AND YIIDO DAKOTSU)} 248-254

. Ų Ͳ Ͳ ز Ͳ {PROBLEM OF CULTURE AND LANGUAGE REIMPORTATION OF THE EARLY NOVELS BY KAZUO ISHIGURO TO JAPAN} 255-260

Shvets H. DISPLAYING THE RIGHT TO LIFE STANDPOINT IN JAPANESE LITERATURE (ON THE PRO-LIFE ISSUE OF ABORTION) {Zen} 260-266

. Ͳ ² : Բֲ Ͳ - ʻ ² в ղXIV . {JAPAN IN MEDIEVAL ARABIC SOURCES: THE IDENTIFICATION TOPONYM "AL-VAKVAK" IN MESSAGES OF ARAB AUTHORS XI-XIV CENTURIES} 267-273

. ˲ʲ {UKRAINE IN SCIENTIFIC WORKS OF MODERN JAPANESE RESEARCHERS} 273-280

. ˲ Ͳ в ²ʲ Ʋ: ˲ {JAPAN'S POLICY TO PROVIDE EQUAL OPPORTUNITIES FOR MEN AND WOMEN: A GENERAL ANALYSIS} 280-284

. ² в IJҲ ̒-̲Ͳ . ̲Ͳ .ز (1927-1929 .) {ESTABLISHMENT OF RELATIONSHIP BETWEEN HETMAN OF UKRAINE PAUL SKOROPADSKYS WITH THE JAPAN EMPIRE AS A RESULT OF GOVERNMENT TANDEM WITH PRIME MINISTER BARON TANAKA AND MINISTER OF FOREIGN AFFAIRS K.SHIDEHARY (1927-1929 GG.)} 284-288

. Ͳ COOL JAPAN????????? 'ί Ȼ {CONTENT OF THE COOL JAPAN PHENOMENON????????? AS A SOURCE OF SOFT POWER} 289-294

. Ͳ ֲ Dz Ʋ IJ ϲ. ² ???? BACKLASH-ERA {MAIN FACTORS OF INFLUENCE ON THE TRANSFORMATION PROCESS RELATING TO MARRIAGE OF ASIAN WOMEN IN THE CASE OF JAPAN SOCIETY ON THE WAY FROM ? ??? TO BACKLASH-ERA} 294-300

. ˲ ϲ {POLITICAL CULTURE OF JAPANESE SOCIETY} 300-305

. ֲ ϲ ϲΪί Ͳ ֲ ֲ {DEMOCRATIZATION OF POWER AND CIVIL SOCIETY IN POST-WAR JAPAN CONCEPTS OF FOREIGN SCIENTISTS} 305-310

. IJ ղί ί IJ ʲDz ̲ {ASPECTS OF THE INTERACTION OF WESTERN AND JAPANESE CULTURE ON SHEET AND COSTUMES BY PAUL POIRET} 311-315

. - ( ) {ZEN BUDDHISM ON THE INTERNET (REALITY AND ALLUSION)} 316-320

. ˲ ί ̲ԯ ( в ջ ) 320-324

. {JAPANESE CULTURE AS ZEN-REALISM IN MODERN AETHETICS} 324-330

. : , , {SCULPTURE OF MEDIEVAL JAPAN: ORIGINS, STYLES, MAJOR TRANDS} 330-335

. Ͳ "² ʲ- в" ֲ Ͳ {THE ENGRAVING BY UTAGAWA KUNISHIDA POEMS OF KI-NO TOMONORI FROM THE COLLECTION OF THE MUSEUM OF ARTS NAMED AFTER BOHDAN AND VARVARA KHANENKO} 335-342

. {BONSAI MYSTERY AND MAGIC OF THE COUNTRY OF THE RISING SUN} 342-346

. IJ- -IJ Ͳ {IJ- -IJ Ͳ} 347-351

. ???? () Ҳ ʲ в {THE PHENOMENON OF ???? (AIMAI) "UNDERTAINTY" IN JAPANESE CULTURE} 351-356